In 2012 a furore erupted across South Africa following the public exhibition of a painting by a ‘white’ South African artist, Brett Murray. Expressing a strand of public perception relating to the numerous scandals surrounding Jacob Zuma, the current President of South Africa, it depicts the President in a Lenin-like fashion with his genitals exposed. As well as the painting being vandalised shortly after it was displayed, some even called for the artist to be stoned to death for the way he had insulted the President. A fascinating debate followed raising the question of why something one might have thought as an acceptable form of political commentary within the context of a democracy could provoke such an impassioned response. Continue reading
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