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I have to say
at the outset that I was rather nervous reviewing a book about modern
worship songs. This is not because I am a proponent of these songs
and felt they were about to get a lambasting, but because I am actually
quite a fan of the more 'archaic' hymns which were also about to
suffer.
Another anxiety
I had was giving even more time to an issue that seems to be too
high up the churchs agenda already. So, rather sceptically,
and determined not to be swayed in my opinions, I started to read
the book.
As is indicated
by its title, the book aims to address the problem of the 'nonsense'
that is found in many modern worship songs. It is solely concerned
with commenting on the lyrics of the songs. In order to parody this
it begins with a mock letter from a worship songwriter/leader writing
to the publisher of 'Songs of Dwellingness Ministries' to promote
a new worship song. This is followed by a closer look at the issues
the mock song has highlighted, a summary of these issues and further
questions for reflection. Each chapter, dealing with a different
topic, follows the same pattern.
At the outset
Nick Page clarifies that his purpose is not to criticize particular
songs or songwriters: 'I dont want this book to tear down
but to build up. Things, as the saying goes, could be better. Thats
all this book is about.' (p4)
Pages
overall style is light-hearted with plenty of jokey asides. Something
about that bothered me. Perhaps it was that in a book that addresses
the importance of words, I found its sometimes flippant style inappropriate
for the subject matter. But then again, perhaps it is a clever technique
he uses to mimic the nonsense of the songs we sing without a second
thought. And a second thought is very much what Nick Page wants
songwriters and singers to have.
Despite this
slight jarring of styles the content was actually very sensible
and I found little to fault with the areas of worship songs he talked
about, (although I would still challenge a few of his ideas). He
deals succinctly with topics such as the history of worship music,
why worship matters and the importance of technique. I wanted the
book to deal with more than just song lyrics. He does not address
or comment on the composition of music for modern songs that
I would have been very interested in. In fact, Nick Page claims,
'musically, everything in the garden is rosy.' (p22) Im not
so sure. Is music not also an area that warrants a little more attention
or is that for another book?
So my fears
were mostly unfounded. A brief and easy read, this book takes a
lightweight, but sensible look at worship. A good starting point
for more in-depth study!
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