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Introduction:
Exile & Homecoming From
the Ardoyne Road... From
the Director Exile
and Homecoming Be
Careful What You Wish For Bonfire
Reflections Rights,
Relationships and Responsibilities Wilson
On Suffering Faith
and Practice - Debbie Watters Forgiveness |
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BONFIRE REFLECTIONS Jim mocked us, but in his voice there was something else anger, disappointment, envy. After all, we were no more than ten or eleven years old. Our parents told us, Dont play with matches! Get away from the fire! Yet here we were on the one day of the year when we got to play with fire, got to stand close in the darkness, daring one another to edge closer to this immense crackling, sucking, shifting, searing pyre, this monochrome rainbow. It dried our skin, burned our eyes, sucked the breath from us, and as we fought to reclaim the air we tasted the smoke in our mouths and sensed the heat in our lungs. We walked off to find the bonfires and left Jim sitting on his kerb. Those were primary school days. Not long after we moved up to secondary level. He went to his school, we went to ours. We didnt see much of each other after that. I had another Catholic
friend, Daniel. We were thirteen or fourteen years old now. Daniel didnt
sit on the kerb on the eleventh night mocking us in disappointment and
anger. Daniel came with us. I remember a bonfire being built at Whitehall
on the Ormeau Road. Daniel was there. He was dragging a white wooden panel
door on his back. Trailing over the ground, bouncing off the kerbs, it
made a fearful racket. Walmer Street was the best bonfire in the area I grew up in. Squeezed into a tiny street between two gable walls, it seemed as tall as the little terrace houses packed around it. Almost every year the fire-brigade was called out as the bricks on the gables became hotter and hotter. The performers knew their lines: Mister, dont put out our fire maybe a threat, maybe a plea. Were not going to put out your fire love. We like bonfires too a word of assurance, a peace offering. The hoses were unrolled and a stream of water played on the gable walls, now so hot the water at first turned to steam. We watched the stage before us, enthralled at the performance. The walls glistened as the water rolled down them, the billows of steam were sucked into the flames of the fire. A solitary flute played the sash somewhere on the far side. We watched the streetlights melt, the plastic covers starting to twist and then to flow. We listened for the pop as the bulbs exploded. Sometimes we werent expecting it and it took us by surprise. It was exciting to imagine that we were under attack. Cowboys and Indians in Walmer Street we were the good guys. Some of those who stood round the bonfire with us on those nights exchanged the imaginary gunshots for the real in later years, becoming involved with loyalist paramilitaries. One, suspected of murder, became a victim himself, shot dead on the Ormeau Road. For another, his greatest enemy proved to be his own friends: beaten to death, they found his body outside a pub. What malice there was in their hearts as fourteen-year-old boys standing by the bonfire in Walmer Street I dont know, but in their adult years, it seems, there was malice aplenty. They grew up in the same streets I did, went to the same primary school I did - Ulidia Primary School stood by the same bonfires I did. But our lives turned out very differently. At some point I cant remember when exactly, maybe when I was sixteen or seventeen I stopped going to the bonfires, stopped watching the bands. I dont know why. Perhaps friends drifted away, perhaps it just stopped seeming like innocent childhood fun. But I remember going back again a few years ago. We went to Sandy Row. I was bemused, horrified, disgusted, embarrassed. It was pitiful, it was pathetic it was surreal. Here a band of Christian evangelists conducting an open-air meeting in their finery. There an unruly crowd of young men in Rangers tops, bottles in hand bellowing our Protestant songs. In the background an open-air disco: boom, boom, boom it is old but it is beautiful boom, boom, boom. People pushed prams, weaving along the road. The prams carried the babies and propped up the parents. Everywhere Tennents and Harp. In the same way that the eleventh night I knew as a child was not the eleventh night my parents knew in their childhood, so the eleventh night I experienced as a thirty something adult was not the eleventh night I knew as a child. But then they lit the fire. Slowly at first, then taking a hold, the heat rising, edging further back. The smoke billowing. The dryness of the air. The crackling of the wood. The skin stretching tight across my face. Wondering how much hotter my clothes could get without bursting into flames or melting. Fire has always been a powerful symbol sometimes a symbol of warning, sometimes a symbol of rejoicing, sometimes just a symbol. I found myself drawn by the fire, to the exclusion of the raucous scenes around me. What it symbolises for me I do not know childhood, perhaps, times that seemed more innocent. Or maybe it is just the fire itself. Some years ago I edited a book called Faith in Ulster. We asked people to comment on the phrase For God and Ulster. One of our contributors was the political scientist Arthur Aughey. In his piece he wrote of the effect a passing band parade had on him: The sound of a loyalist band can stir emotions and identifications which are not simply momentary, not simply illusory, but real. The accent of ones birthplace, as La Rochefoucauld said, persists in the mind and heart as much as in speech. As with bands, so with bonfires.
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